David to Delacroix: The Rise of Romantic Mythology
In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth. Highlighting the work of major painters such as David, Girodet, Gerard, Ingres, and Delacroix and sculptors such as Houdon and Pajou, David to Delacroix reveals how these artists offered innovative reinterpretations of myth while incorporating contemporaneous and revolutionary discoveries in the disciplines of anatomy, biology, physiology, psychology, and medicine. The interplay among these disciplines, Johnson argues, led to a reexamination by visual artists of the historical and intellectual structures of myth, its social and psychological dimensions, and its construction as a vital means of understanding the self and the individual’s role in society. This confluence is studied in depth for the first time here, and each chapter includes rich examples chosen from the vast number of mythological representations of the period. While focused on mythical subjects, French Romantic artists, Johnson argues, were creating increasingly modern modes of interpreting and meditating on culture and the human condition. |In this beautifully illustrated study of intellectual and art history, Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth.
David Alexander: The Shape of Place
It can be easy to consider landscape painting as cliche, an art form whose time has passed. David Alexander’s vibrant, large-scale works show the wonder and possibility that remain undiminished in paintings of the natural environment and breathe new life into the landscape tradition. Gathering together six essays on Alexander, this book provides insight into Alexander’s inspiration, creative drive, and the unique engagement with nature that has led him to seek out and paint remote locales across Canada and as far away as Greenland, Iceland, New Mexico, and Argentina. Award-winning writer Sharon Butala contributes an extended meditation on her first encounter with the artist and his work. An interview with Robert Enright reveals Alexander’s engagement with tradition, and texts by the late Gilbert Bouchard, Ihor Holubizky, Aethalsteinn Ingolfsson, and Liz Wylie, present a variety of insights into understanding and appreciating his art. A detailed chronology of Alexander’s career is included. Reproductions of his major works appear throughout and the essays are illustrated with preliminary paintings and working sketches, conveying insight into his creative process. A valuable discovery for those interested in nature and its artistic renderings, Alexander’s art is about conveying an immersion in the landscape. This book allows a similar presence within his lushly painted landscapes, imparting an intimate understanding of his art.
The Chinese Literati on Painting: Su Shih (1037-1101) to Tung Ch’i-ch’ang (1555-1636)
(in 2 files)
This classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush’s investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush’s perspective on Sung scholars’ art and theory helps explain the emergence of literati painting as the main artistic tradition in Yuan times. Social history thus served to supplement an understanding of the evolution of artistic styles.
Rebecca M. Brown
A Companion to Asian Art and Architecture
A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history.
Brings together top international scholars of Asian art and architecture
Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art
Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan
Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK
Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.
A Companion to Renaissance and Baroque Art
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history.
Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700
Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production Creative Process and Social Stature of the Artist The Object: Art as Material Culture The Message: Subjects and Meanings and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse
Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality
Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater
Focuses on Western and Central Europe and that territory’s interactions with neighboring civilizations and distant discoveries
Includes illustrations as well as links to images not included in the book